Ghostpoet - Immigrant Boogie - from the 2017 album Dark Days + Canapés on PIAS.
"Billy Elliot the Musical" from Pixie Dust Productions stays true to the 2008 Broadway show, and that's primarily positive. Lee Williams | Special to The Oregonian/OregonLive http://connect.oregonlive.com/user/leewilliams1/index.html
Walter Cole, owner of Darcelle XV Showplace, says of drag, "I don't think it can go back in the closet again, no matter what." Lee Williams | Special to The Oregonian/OregonLive http://connect.oregonlive.com/user/leewilliams1/index.html
Blis. - Take Me Home - from the 2017 album No One Loves You on Sargent House.
New Age Healers - He Took A Bullet To Heaven - from the 2017 self-released album Where The Tragic Happens.
Here are our picks for theater, classical music and dance performances and visual arts events for Sept. 15-21. Amy Wang | The Oregonian/OregonLive http://connect.oregonlive.com/user/awang/index.html

CONGRATULATIONS to the winners of our latest September Subscriptions Sweepstakes drawing!!!

Drawn at random from all eligible entries (i.e., those who started or renewed their subscription between Sep 6-12), thank you Kathy Fridstein, Keely Meehan, Raegen Rasnic, Deborah Paine, and Sara Keats for your support of OtB!

There's more chances to win prizes this coming week, including more cookies, tee-shirts, a free download from ontheboards.tv, and an additional bring-a-friend gift certificate, for those who subscribe between 9/13 and 9/19. (One prize per subscription order) We'll do another drawing at the end of the day next Tuesday, Sep 19. (Learn more about our September Subscriptions Sweepstakes, going on now through 10/1!)

Au.Ra - Above The Triangle - from the 2017 album Cultivations on Lefse Records.
Don't miss the Henry's timely history of rural activism against white nationalism in the Northwest. by Emily Pothast

For many Americans, the emergence of white nationalism on the national stage has been shocking. But for people who have been paying attention to such matters for decades, what has happened in Charlottesville and beyond is not only unsurprising, it's something that could easily happen here in the Pacific Northwest—the site of some of the most organized white nationalist movements in US history.

Beginning in the late 1970s, an idea known as the Northwest Territorial Imperative encouraged members of white-supremacist groups nationwide to move to a five-state area (Washington, Oregon, Idaho, Wyoming, and Western Montana) in the hopes of one day declaring this region an Aryan homeland.

In response to this call, a network of some 120 rural and suburban grassroots groups sprung up to counter racist attacks in their communities. While rarely recognized in activist histories, these groups developed creative and resourceful strategies for confronting racism, sharing resources, and setting boundaries to prevent white nationalism from gaining ground.

The history of these groups is the subject of no. NOT EVER., an exhibition by Seattle activist group If You Don't They Will, currently installed in the Henry Art Gallery Test Site.

no. NOT EVER. is an information archive and experiential lab that presents more than two and a half hours of video and audio interviews with individuals who were actively involved in these grassroots groups in the 1980s and 1990s, during the height of the Northwest Territorial Imperative. These interviews are organized by topic—things like gender bias in organizing, rural/urban disconnects, and "free speech"—a phrase that has long been used by white nationalists attempting to force their views onto platforms that may lend them legitimacy.

"Many organizers do not know how to say NO to white nationalist claims for free speech rights. White nationalists are acutely aware of this and use 'free speech' as an effective strategy to test a space to see how hospitable it is for their recruitment and organizing," explains one of the cards hung around the perimeter of the room. The discussion points they provide couldn't be more timely. The white nationalist claim to "free speech" is a thorny issue, but the show's pragmatic and in-depth assessment has been honed through decades of putting theory into practice.

The show also challenges the notion that white women are innocent bystanders, revealing how groups like white nationalist women's circles and knitting groups create lasting relationships and intergenerational infrastructure.

Situated at the heart of the exhibition is a red picnic table, a nod to schoolyards and church socials—the social hubs of rural environments. The table provides a place to sit and engage with the participatory elements of the show, like an interactive timeline of white-nationalist activity in the Northwest and cards containing scenarios that challenge visitors to think about how we might respond to various situations.

If current events are any indication, many of these scenarios will not be hypothetical for long. no. NOT EVER. is both a living history archive and a place to learn from suburban and rural organizers who have been facing down white nationalists in their communities for decades—a crash course we could all benefit from in this historical moment.

A participatory workshop organized by the artists takes place at the Henry on Sat Sept 23, 1–3, e-mail ians@henryart.org to register.

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Beaches - When You're Gone - from the 2017 album Second of Spring on Chapter Music.
Dent May - Picture On A Screen - from the 2017 album Across The Multiverse on Carpark Records.
Guided By Voices - Steppenwolf Mausoleum - from the 2017 self-released album How Do You Spell Heaven.
"An Octoroon" is amazing satire, complex and funny, as stereotypes are flagrantly skewed. Branden Jacobs-Jenkins' play runs through Oct. 1 at Artists Repertory Theatre. Holly Johnson | For The Oregonian/OregonLive http://connect.oregonlive.com/user/johnsonholly/index.html
"Crepuscular Blue: Prints and Sculpture by Alison Saar" is at the Pacific Northwest College of Art through Oct. 14. Saar will give a free lecture Sept. 19. Briana Miller | Special to The Oregonian/OregonLive http://connect.oregonlive.com/user/Briana%20Miller/index.html
"Star Trek" actor, social media star and social justice activist George Takei appears with the Oregon Symphony Sept. 16. Amy Wang | The Oregonian/OregonLive http://connect.oregonlive.com/user/awang/index.html
Noah Gundersen - The Sound - from the 2017 album White Noise on Cooking Vinyl.
Here are our picks for theater and dance performances and visual arts events for Sept. 8-14. Amy Wang | The Oregonian/OregonLive http://connect.oregonlive.com/user/awang/index.html
Widowspeak - Dog - from the 2017 album Expect The Best on Captured Tracks.

CONGRATULATIONS to the winners of our Labor Day Weekend Subscribe + Win Prizes BONANZA!!!

Drawn at random from all eligible entries (i.e., those who started or renewed their subscription between 9/1 and 9/5), thank you Tina LaPadula, Leon Finley, Kathleen Voss, Alethea Alexander, Maggie Hooks, Pamela Gregory, Pol Rosenthal, and Sarah Lippek for your support of OtB!

There's more chances to win prizes this week, including more cookies, tee-shirts, and a 3-month STREAMING subscription to OntheBoards.tv, for those who subscribe between 9/6 and 9/11. (One prize per subscription order) We'll do another drawing next Tuesday, 9/12. (Learn more about our September Subscriptions Sweepstakes, going on now through 10/1!)

 

A Giant Dog - Bendover - from the 2017 album Toy on Merge Records.

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Museum of Northwest Art

MISSION STATEMENT

The Museum of Northwest Art connects people with the art, diverse cultures and environments of the Northwest. 

 

COLLECTIONS

MoNA collects and exhibits contemporary art from across the Northwest, including Alaska, British Columbia, California, Idaho, Montana, Oregon and Washington.